I spent the 80's going to about 700 gigs and played a few gigs around
the London area. Here are some of my fave artists and albums - mostly
from that era.
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Nine Below Zero Live
at the Marquee |
I still love this album. Not every track is a classic,
but 80% of this high octane, British R&B album is shear brilliance.
Unfortunately I was (just) too young to be at this gig, but I saw
them several times before their sad demise in 1981. They're back together
again nowadays, but back then they were young guns throwing down the
gauntlet to all the pedestrian, aging rockers and their vitality was
second to none. Swing Job has to be my fave. |
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I first saw them in 1986 supporting del Amitri at the
Marquee. I saw them dozens of times after that and even played a gig
with them at the Kings Head in Fulham in 1987. Somewhere I have a
picture of Bob Collins playing my Telecaster Thinline after he'd run
out of spare strings. Awesome band, remembered by some for their unusual
song titles, such as Where's my Chicken you Bastard,
Daffodil Scare, You and
Your Bloody Oranges, John Noakes vs. Tony
Bastables and the legendary There's strawberries
in my garden (and it's wintertime). |
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The Dentists Some
people are on the pitch, they think it's over, it is now |
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Prefab Sprout
Swoon
&
Steve McQueen |
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I can't decide between these two albums. They're definitely
two of my favorites ever. Paddy McAloon has a unique skill. Like so
many bands they had their biggest success with some of their worst
songs. I never listen to Langley Park,
but despite it's commercial success, it nearly killed the band off
creatively in my eyes. Having said that, I really like Andromeda
Heights, which appeared much later in their career. |
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I bet you've never heard this album, despite the band's
commercial success. This album is pure genius. It came out in 1985,
five years before Waking Hours. It is of
a completely different style and I can still listen to it now, despite
two decades of incessant playing. |
del Amitri
del Amitri |
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In the early to mid 80's this quartet were hailed as
visionaries by the indie guitar crowd. Then along came Green,
with it came popularity; and the raw, ingenuity was mostly gone. Southern
Central Rain, Camera, The
One I Love, Driver 8, Wendell
Gee... the list of brilliant songs is almost endless. I yearn
for the days when Michael Stipe had hair, and the man in the street
thought REM was an attribute of deep sleep. |
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REM
Murmur & Reckoning
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The Church The
Blurred Crusade |
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I saw this Aussie psychedelic outfit at their first
gig in the UK when they supported The Truth (Dennis Greaves,
Nine Below Zero) at Dunstable Queensway Hall in September 1982.
Roz Fleetwood ran the fan club for Nine Below
and the Q-tips, and the Church were on the
same label. She gave me this album and I went on to buy many more
and saw them every time they visited the UK. I bought the Temperature
Drop in Downtown Winterland ep at the next gig I went to (the
Venue, Victoria). It is quite a collectors item these days. I particularly
remember being blown away by Is This Where You
Live? from that first gig. |
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Everything But The Girl Eden
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A Distant Shore by Tracey
Thorn and Ben Watt's North
Marine Drive are classic albums also and remind me very much
of my days as a student. Tracey occasionally worked in JJ Records,
Hatfield with the other Marine Girls - which
was more than a treat for a fan. Each and Every
One and Soft Touch are still my favourites
- but I like them all bar Crabwalk. |
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Ben Folds Five
Whatever and Ever Amen |
This has been played non-stop in the car for the last
8 months. I liked it when it came out, but only got hold of a copy
recently. What an album! This is one bitter and twisted guy, his lyrics
reflect his anger and pain. Selfless, cold and
composed, Missing the War and Brick
are just some of my favourites. |
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